"To really love Joan Didion—to have been blown over by things like the smell of jasmine and the packing list she kept by her suitcase—you have to be female. … Women who encountered Joan Didion when they were young received from her a way of being female and being writers that no one else could give them. She was our Hunter Thompson, and
Slouching Towards Bethlehem was our
Fear and Loathing in Las Vegas. He gave the boys twisted pig-fuckers and quarts of tequila; she gave us quiet days in Malibu and flowers in our hair. … Ultimately
Joan Didion’s crime—artistic and personal—is the one of which all of us will eventually be convicted: she got old. Her writing got old, her perspective got old, her bag of tricks didn’t work anymore."
posted by Houyhnhnm
on Jan 11, 2012 -
45 comments
Have your Chipotle burrito at
John Dos Passos' house. Read
Silent Spring in
Silver Spring. You can now take a real or virtual walking tour of literary DC, from
Roald Dahl to
Philip K. Dick to
Zora Neale Hurston with
DCWriters.org. Two DC-area poets have put together a compendium of 123 (and growing) residences in the DC area where novelists, poets, and playwrights plied their trade. The buildings may not all have plaques, but they are still standing: Dan Vera and Kim Roberts
focused on not "documenting what used to be here, but what people could actually go and take a look at."
posted by HonoriaGlossop
on Dec 18, 2011 -
18 comments
Note Worthy: [guardian.co.uk] Global economic meltdown, the euro crisis and Occupy protests – this year has been dominated by financial issues. But what is money anyway? We invited writers and artists including Jonathan Franzen, Margaret Atwood and Naomi Klein to invent new currencies and banknotes for a changed world.
posted by Fizz
on Dec 17, 2011 -
13 comments
In reflecting on the project, McAllister feels “caught between the intimacy of each individual response, and the pattern of the cumulative replies.” The question remains: Why did they answer? McAllister claims no credit, describing his survey form as “barely literate.” He recalls that in his cover letter (no examples of which exist) he misused the word precocious—he meant presumptuous—and in hindsight he sees that he was both, though few writers seemed to mind. “The conclusion I came to was that nobody had asked them. New Criticism was about the scholars and the text; writers were cut out of the equation. Scholars would talk about symbolism in writing, but no one had asked the writers.” Sixteen year old boy dislikes English homework, goes outside the chain of command.
posted by villanelles at dawn
on Dec 5, 2011 -
55 comments
I don’t believe in dissing books I used to love, and I always suspect the moral judgment of people who sneer at the taste of the reader they used to be: “I know thee not, old book.” Six writers talk
what's on their shelves.
posted by villanelles at dawn
on Nov 12, 2011 -
72 comments
In 1977-1978, a public access TV show called
Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch, just to name a few).
[more inside]
posted by mattbucher
on Sep 23, 2011 -
5 comments
"You never hear, “Famous author Neil Gaiman caught with seven stewardesses in a Wichita bus depot.” Chuck Wendig says,
"We need literary rock star heroes to swoop in and save publishing." Well, perhaps... But can you picture this?
"The authorial world demands this. And we’re not talking about some little Twitter snit, some online battle oozing across a handful of Livejournal comments. It’s not enough for Stephen King to talk to Entertainment Weekly and be all like, “Well, Stephenie Meyer is no J.K. Rowling, pfft.” I’m talking, Terry Pratchett needs to go and take a shit in Dan Brown’s mailbox."
posted by jenfullmoon
on Jul 30, 2011 -
144 comments
Metafilter's Own Charlie Stross asks the question; " You, and a quarter of a million other folks, have embarked on a 1000-year voyage aboard a hollowed-out asteroid. What sort of governance and society do you think would be most comfortable, not to mention likely to survive the trip without civil war, famine, and reigns of terror?"
engrossing commentary follows. (
via)
posted by The Whelk
on Dec 11, 2009 -
156 comments
In
How to Write a Great Novel authors such as Edwidge Danticat, Hilary Mantel, Orhan Pamuk, Junot Díaz and Margaret Atwood speak about their writing process. If you want your thoughts on writing in a longer format, you could do a lot worse than The New York Times'
Writers on Writing series, which features short essays by, for example,
Kurt Vonnegut,
Saul Bellow,
Louise Erdrich and
Annie Proulx. Should you thirst for meditations longer yet,
Barbara Demarco-Barrett has on her
Writers on Writing radio show interviewed a
boatload of authors and it is available as a
podcast [iTunes link]
posted by Kattullus
on Nov 11, 2009 -
22 comments
The Revolving Floor is a curated community of writers and artists, focused on finding creative ways to share diverse perspectives through creating content around shared topics. Every month, a new topic. Several times per week, a new post, each time by a different author. [via
mefi projects]
posted by netbros
on Aug 31, 2009 -
11 comments
For Graham Greene he was "unquestionably our best thriller writer". John le Carré once called him "the source on which we all draw". With the six novels he wrote in the years leading up to the second world war - five of which have just been reissued by Penguin Modern Classics - Eric Ambler revitalised the British thriller, rescuing the genre from the jingoistic clutches of third-rate imitators of John Buchan, and recasting it in a more realist, nuanced and leftishly intelligent - not to mention exciting - mould. -
The writing of Eric Ambler
posted by Artw
on Jun 6, 2009 -
14 comments
Orton and Halliwell first came to the public attention not as writers but through an elaborate and extended prank played out at their local library, altering book covers and adding new blurbs to dust jackets. Incensed at the poor choice of books at Essex Road, their local library, they began stealing books. These were smuggled out, dust jackets altered, new blurbs written on inside flaps and then surreptitiously returned. [more inside]
posted by lucia__is__dada
on Mar 24, 2009 -
31 comments
The novlist Julie Myerson has written a book, The Lost Child, about her son's addiction to cannabis, the violent behaviour she says this caused and her tough love policy.
Extract. Her son is
angry that she's published it, and says his parents over-reacted: "I wasn't doing anything that most other teenagers do, but such was their naive terror of drugs they were acting like six-year-olds". It comes out through
MumsNet that Julie Myerson was the anonymous author of a Guardian column, "Living with Teenagers," which described her children's behaviour candidly without their knowledge.
Extract. Myerson first
denied this. The Guardian discusses whether it was
right to publish the columns. Myerson is
interviewed about whether she was right to publish The Lost Child. Her partner, and son's father, Jonathan Myerson supports her:
This is an emergency. Her son says she's
addicted to writing.
[more inside]
posted by paduasoy
on Mar 15, 2009 -
160 comments
