, Joyce's famously unreadable masterpiece (read it online here
), was considerably more
readable in one of its earlier drafts.
Watch Joyce cross out decipherable words and replace them with less decipherable ones! Watch him end, not with a whimper, but with a slightly less impressive whimper
! Sadly, Shem's schoolbook
, which in the finished version is a House of Leaves
-esque compendium of side columns and footnotes, was not written until much later
(according to the footnotes of that section). The introduction to this draft by David Hayman, who assembled it, is worth a read
posted by Rory Marinich
on May 20, 2013 -
Claire Messud: “A woman’s rant” [National Post]
"Over the last week, discussion surrounding Claire Messud’s new novel, The Woman Upstairs, has shifted from the book to an interview
its author recently gave to Publishers Weekly, in which Messud took issue with the following question: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” [more inside]
posted by Fizz
on May 10, 2013 -
What Is the Business of Literature?
Publishing is a word that, like the book, is almost but not quite a proxy for the “business of literature.” Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself. We have come to believe that the taste-making, genius-discerning editorial activity attached to the selection, packaging, printing, and distribution of books to retailers is central to the value of literature. We believe it protects us from the shameful indulgence of too many books by insisting on a rigorous, abstemious diet. Critiques of publishing often focus on its corporate or capitalist nature, arguing that the profit motive retards decisions that would otherwise be based on pure literary merit. But capitalism per se and the market forces that both animate and pre-suppose it aren’t the problem. They are, in fact, what brought literature and the author into being. [more inside]
posted by the man of twists and turns
on Apr 27, 2013 -
Going through my parents' stuff didn't make me suddenly miss them, but I became more intrigued by them every day. I wanted to know more and more about them, to solve their mysteries. At the same time, I felt a corresponding, if conflicting, urge to speak, or write, about what many people seemed to think was unspeakable: my ever-present lack of grief. So I decided to combine these seemingly divergent impulses into an Tumblr blog called My Dead Parents, which I kept anonymous both out of respect for my family and because, after years of writing fiction, I wasn't sure if I could handle revealing so much about myself in writing.
Anya Yurchyshyn writes about rediscovering
her parents through their letters, after their deaths.
posted by the man of twists and turns
on Apr 20, 2013 -
Marcel Proust’s First Poem, ‘Pederasty,’ [Daily Beast]
"Here is the first known poem by Proust, written when he was 17, that shows him struggling with his homosexual urges. The poem is dedicated to his friend Daniel Halévy, and he wrote to him in a letter: “Don’t treat me as a pederast, that wounds me. Morally I’m trying, if only out of a sense of elegance, to remain pure.” The poem is titled “Pederasty.”" [more inside]
posted by Fizz
on Mar 27, 2013 -
Stop Using Small Font Sizes
"I'm calling you out. All of you. The hackers, the designers, the code monkeys, the word-smiths, the editors, the CSS gurus, and everyone else who works on content management systems and style sheets for news sites. Stop using small font sizes." [more inside]
posted by mediareport
on Mar 12, 2013 -
In an essay
in the Kenyon Review, former Sweet Valley High ghostwriter Amy Boesky, now an Associate Professor of English at Boston College, writes about her experience ghostwriting, how she got started, why she kept ghostwriting while also pursuing her Ph.D., and why she eventually stopped.
Interviews with other Sweet Valley ghostwriters are here
, and here
posted by Area Man
on Feb 26, 2013 -
The Q&A With Jeff Goldsmith
is an irregularly released podcast where Mr. Goldsmith interviews, at length (each episode runs an hour or more), working Hollywood and foreign screenwriters. The most recent episode is a panel conversation with the year's Oscar-nominated screenwriters. You can listen to the podcasts on his site or subscribe in iTunes or on Android.
Goldsmith is also the publisher of the terrific screenwriting magazine Backstory
--currently only available for the iPad but coming (eventually) to the web and Android. You can download the first issue (which is wonderful, and contains full length scripts along with the interviews and stories) for free.
posted by dobbs
on Feb 7, 2013 -
"As far as I’m aware, nobody that term recorded Max’s words systematically. However, in the wake of his death
, David and I found ourselves returning to our notes, where we’d written down many of Max’s remarks. These we gleaned and shared with our classmates. Still, I wish we’d been more diligent, more complete. The comments recorded here
represent only a small portion of Max’s contribution to the class."
posted by Lorin
on Feb 1, 2013 -
Happy Thomas Pynchon rumor day! [LAtimes.com]
"What's that, you say? America's most reclusive author, Thomas Pynchon, appeared in the news Friday -- not once but twice? Why, yes, yes, he has, surfacing in two unconnected rumours. Conspiracy? Pynchonian? Maybe we should henceforth designate Jan. 4 as Thomas Pynchon Rumor Day." [more inside]
posted by Fizz
on Jan 5, 2013 -
With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.
December 2012 marks the 40th anniversary of Invisible Cities
-- the sublime metaphysical travelogue by author-journalist Italo Calvino
. In a series of pensive dialogues with jaded emperor Kublai Khan
, the explorer Marco Polo
describes a meandering litany of visionary and impossible places, dozens of surreal, fantastical cities
, each poetically reifying ideas vital to language, philosophy, and the human spirit. This gracefully written love letter to urban life has inspired countless tributes
, but it's just the most accessible of Calvino's fascinating literary catalogue. Look inside for a closer look at his most remarkable works, links to English translations of his magical prose, and collections of artistic interpretations from around the web -- including this treasure trove of essays, excerpts, articles, and recommended reading
. [more inside]
posted by Rhaomi
on Dec 30, 2012 -