My goal here -- beyond the selfish utilitarian aspect of organizing my research -- is much in parallel with that of sites like the Medieval People of Color blog, or Kameron Hurley's award-nominated essay "We Have Always Fought". I want to help change the unexamined assumptions about the place and nature of lesbian-like characters in historic fact, literature, art, and imagination. I want to do it to help other authors find inspiration and support for the stories they want to tell. And I want to do it to affect the reception of my own writing. My project will be flawed in that it will privilege topics and interpretations of personal interest to me. (A geographic focus on Europe and it's neighbors. A temporal focus that ends before the 20th century and focuses strongly on the pre-modern. An examination of the data through a lesbian lens even when other lenses, such as transgender ones, are equally valid.) This is a caveat but not an apology. If I weren't doing it for selfish reasons, I wouldn't be doing it at all.
The Lesbian Historica Motif Project
is a series of posts at The Rose Garden
looking at source material about lesbian women throughout history
posted by MartinWisse
on Jun 22, 2014 -
This is my window. Or my windows—the view from my living room, where I sit and write. Might not seem very inspiring. I wish I could offer green mossy lava, roaring waves, a glacier mountain top. I do have other spaces—in an abandoned powerstation, a favorite fisherman’s cafe by the harbor, a summer house on the arctic circle—but this is my honest view, what I really see most of the days. This house was built in the 1960s when people were fed up with lava and mountains; they were migrating to the growing suburbs to create a new view for themselves. The young couple who dug the foundation with their own hands dreamed of a proper garden on this barren, rocky strip of land. They dreamed of trees, flowers, shelter from the cold northern breeze. What is special depends on where you are, and here, the trees are actually special. They were planted fifty years ago like summer flowers, not expected to live or grow more than a meter. The rhododendron was considered a miracle, not something that could survive a winter. It looks tropical, with Hawaiian-looking pink flowers; Skúli, the man who built the house and sold it to me half a century later, took special pride in it.
I am not a great gardener. We are thinking of buying an apple tree, though they don’t really thrive in this climate. I would plant it like a flower, not really expect it to grow, and hope for a miracle. —Andri Snær Magnason [more inside]
posted by whyareyouatriangle
on Aug 9, 2013 -
Let’s say you’re a writer, working a novel set in Minneapolis. Your protagonist arrives home after a long day of doing whatever it is your protagonist does all day. To this point, you’ve been very specific with local landmarks and a general feeling of the city — your protagonist rides the 21A, eats breakfast at the Grand Cafe, and meets his or her attorney in an office on the 12th floor of the Rand Tower. All good so far. You’ve set the scene very effectively. People are going to say, “This is a great Minneapolis novel" after they read it. However, the time has now come for you to insert a specific street address into the text. You like specifics, and you need a real-sounding mailing address for, say, a situation where the protagonist receives a mysterious letter. How will you accomplish this? Here you have a problem. You only have two options, neither one very good
. [more inside]
posted by cthuljew
on Jul 31, 2013 -
With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.
December 2012 marks the 40th anniversary of Invisible Cities
-- the sublime metaphysical travelogue by author-journalist Italo Calvino
. In a series of pensive dialogues with jaded emperor Kublai Khan
, the explorer Marco Polo
describes a meandering litany of visionary and impossible places, dozens of surreal, fantastical cities
, each poetically reifying ideas vital to language, philosophy, and the human spirit. This gracefully written love letter to urban life has inspired countless tributes
, but it's just the most accessible of Calvino's fascinating literary catalogue. Look inside for a closer look at his most remarkable works, links to English translations of his magical prose, and collections of artistic interpretations from around the web -- including this treasure trove of essays, excerpts, articles, and recommended reading
. [more inside]
posted by Rhaomi
on Dec 30, 2012 -
Ken and Robin Talk About Stuff
, a podcast in which writer and game designer Robin D. Laws
, The GUMSHOE system
) and game designer and writer Kenneth Hite
(Tour De Lovecraft
, GURPS Horror
) talk about stuff. Stuffs include: Why vampires are assholes and the Hermetic Order of the Golden Dawn
, stopping WWI and Beasts of the Southern Wild
, Margaret Atwood and the difference between a mystic and an occultist
, why no invented setting is as interesting as the real world and Woodrow Wilson
, Gencon and sundry RPGs
, Neil Armstrong, HP Blavatsky and theosophy
, the ebook prcing settlement, what big publishing could learn from RPG publishers, and the many crazy fictional possibilities of Charles Lindbergh and his UFO investigating chums
, and Dungeons and Dragons edition wars and Aliester Crowley
posted by Artw
on Sep 30, 2012 -
This is all rooted in a vision I had, of William S. Burroughs as a CIA agent, and Philip K. Dick as his young henchman, going head-to-head with notorious gangster and pervert Adolf Hitler somewhere in Hamburg to find out where Hitler is shipping all the computers he can get his hands on.
- In another world Charles Stross wrote this sprawling work
of Alternate History
instead of the Merchant Princes
books. Fictional books are of course themselves a common them in Alternative History stories, from The Grasshopper Lies Heavy in The Man in the High Castle
to Adolf Hitlers pulp novel Lord of the Swastika
in The Iron Dream
. Stanisław Lem was particularly enamoured with the idea of the fictional book, and wrote two volumes of reviews and introductions for them, lovingly described here
by Bruce Sterling.
posted by Artw
on Sep 23, 2010 -
Mythmaker of the Machine Age.
In the statue erected above his grave in Amiens, in Picardy, Jules Verne
, who died exactly 100 years ago, resembles God. He is, after all, the second-most-translated author on earth
, after Agatha Christie. To celebrate the anniversary
, there's a Verne exhibition at the Maritime Museum in Paris
, one of a series of events from Paris to the western city of Nantes
, where Verne was born on Feb. 8, 1828, to the northern town of Amiens, where he died on March 24, 1905
. His many fans, some of them quite famous
, will be treated to exhibits, concerts, films and shows in Verne's honor. “Underground City
”, a lost classic written by Verne and never before published unabridged in English, emerges this month
in not one but two new unique editions.
100 years later, questions remain about his life
: Why did he have two homes in Amiens? Why did he burn all his private papers? Why was he shot in the foot by his nephew, Gaston, in 1886? Gaston was locked in an asylum for 54 years after his attack on L'Oncle Jules. Was Gaston, in fact, Verne's natural son? More inside.
posted by matteo
on Mar 23, 2005 -
A sad day for lovers of good writing. In addition to Stephen Jay Gould, historian Walter Lord
has died. (NYT, blah blah) Lord's 1955 book A Night to Remember
arguably touched off the modern world's fascination with the Titanic, and his 1957 Day of Infamy
is an exciting account of the attack on Pearl Harbor.
posted by pmurray63
on May 20, 2002 -