[E]ven though the restaurant's cartoonish decor bordered on offensive, it was still a temple to a people and a cuisine that America couldn't ignore. Taco Bells were everywhere. In every strip mall. Off every highway exit. Even the racists, the immigrant-haters, the people who'd laugh at my elementary-school stand-up comedy routine would run for the border.John DeVore writes about finding the "unexpected, self-affirming solace" of home... at Taco Bell. [more inside]
You can laugh or sneer at Taco Bell. Shake your head at its high fat and salt content. Go ahead and lecture on what true Mexican food is. My mom would probably just roll her eyes at you, and take a broken yellow shard of crispy taco shell and use it to scoop up the pintos, cheese, and salsa.
"It’s hard not to hear cultural ruin, melodramatic as that may be, in every interrupting chirp and chime of a phone receiving a text or a call or blasting a video through its speakers on a packed subway train. The citizen in me, greedy for chances at quiet reflection and, frankly, to be left in peace from unwelcome noises, shudders and laments. But the artist in me, the writer, asks a more probing question, if not necessarily more optimistic: what might I do with all this?" Novelist Steve Himmer explores how to write about our increasingly interconnected world in "Reader, I Muted Him: The Narrative Possibilities of Networked Life."
Javier Grillo-Marxuach [prev: 1 2 3], a writer on the first two seasons of Lost [prev: 1 2 3 4], attempts to answer the question “Did we know what we were doing, or were we just making it up as we went along?” Much like the TV series itself, the answer turns out to be much more complicated than it seems. [A 17,000-word memoir].
Rise of the Gender Novel: Too often, trans characters are written as tortured heroes. We’re more complex than that
Founded by celebrated poet and White House guest Kenneth Goldsmith, Ubuweb for years has been housing massive gigabites of work that exists outside the lines—from audio archives of rare performances by avant-garde musicians and video artists, known and unknown, to whole lifetimes of textual and interpretative work dug up and given new life online. -- Vice on how Ubu Publishes the Unpublishable. [more inside]
The death of writing – if James Joyce were alive today he’d be working for Google: [Guardian Books]
There’s hardly an instant of our lives that isn’t electronically documented. These days, it is software that maps our new experiences, our values and beliefs. How should a writer respond? Tom McCarthy on fiction in the age of data saturation.
"What the hell is 'Wild Animus'? It's a book with a story big enough that I could write an entire column about it without describing a single plot point. With the exception of religious texts, has anyone, ever, given away this many copies of a book in physical form?" [more inside]
Friends often try to assure me that people mean well, urging me to go easy on them, to be gracious, to give people the benefit of the doubt. "People don't mean to be offensive," they tell me. "They just don't know how to say it without coming across that way."Nishta Mehra writes about her family's experience with learning how to navigate the landscape of interracial adoption in a "post-racial" America: Black Is the Color of My True Love's Hair.
What these friends don't understand is that when the act of defining your family structure becomes an expected part of every day of your entire life, you grow tired of being gracious. It's exhausting to have strangers view your life as an up-for-grabs educational experience. For my kid, it's to constantly hear the underlying message: "Your life, your family, doesn't make sense to me. Someone needs to explain it to me. You owe me an explanation."
It's the people who live comfortably inside majorities who tend to discount any sort of commentary from minorities as being "overly sensitive." And I imagine that it's hard to step back and grasp the fact that when the world you occupy is built to accommodate you, you fit inside the boxes. You make sense. You are expected.
Did Amazon Sink the Queen of Online Erotica? - Phoebe Reilly, Vulture
"Engler is an underappreciated pioneer, a self-proclaimed feminist in furry-cat slippers. To put her crowning achievement demurely, she challenged the book-publishing industry's denial of women's appetite for sexually explicit books. She wrote tawdry, lowbrow novels, and published hundreds of others, that freed romance from its lame euphemisms well before Fifty Shades of Grey, and she did so in a digital format long before the Kindle and the iPad allowed e-books to flourish.
"To put it less demurely: There were readers out there, lots of them, who didn't want to read about thick manroots. They wanted hard cocks. So that's what Ellora's Cave gave them. Easily and often."
"The world exists. Why recreate it?" Adelle Waldman explains why.
The Sneeze column, Steve, Don't Eat It! Although most of this material was written in the early 2000's, I'm surprised when I talk about it and people look at me like I'm crazy. The Sneeze was an ambitious and funny blog full of insights about life, parenting, humor and also had solid reporting on gross food items that are still available in grocery stores. Steve ate weird and gross stuff so we don't have to.
The Struggle To Be A Good Critic [Electric Literature] How should or shouldn't white writers write POC characters?
Don't Judge A Book By Its Author by Aminatta Forna [The Guardian]
‘I have never met a writer who wishes to be described as a female writer, gay writer, black writer, Asian writer or African writer’ … Aminatta Forna on her frustration at the book world’s obsession with labels and identity.
Letter from Ernest Hemingway’s widow could solve Cuban farmhouse mystery. [The Guardian]
The mystery of whether Ernest Hemingway’s widow volunteered or was coerced into leaving their Cuban house to the nation has come a step closer to being solved, with the discovery of a letter in which she states that her late husband “would be pleased” that Finca Vigía be “given to the people of Cuba … as a centre for opportunities for wider education and research”.[more inside]
I know you may not care, but I do. I care about how to tell a personal story like the one I’m about to write, without falling into a million traps laid out in front of you. I’m thinking of the issues of trust and betrayal that come across between a writer and his or her subject. The transfiguration that inevitably takes place in writing. And my friendship with Philip Roth: in which trust was the fundamental condition, despite ambiguity playing a subtler, if ever-present, role.
When Annie Dillard wrote Pilgrim at Tinker Creek, she didn't think anyone would want to read a memoir by a "Virginia housewife". So she left her domestic life out of the book - and turned her surroundings into a wilderness. The Thoreau of the Suburbs.
“Sponsored” by my husband: Why it’s a problem that writers never talk about where their money comes from.
Wild Ones Live is an arresting reading accompanied by music, a collaboration performed as part of a live magazine by author Jon Mooallem, a science and nature writer whose book Wild Ones ruminates on the strange, ignorant, hopeful and poignant ways humans imagine other animals, and the musical project Black Prairie. Listen at your desk if you must, but if you can, pop in your earbuds and go outside for a long walk while you take it all in. [more inside]
recently on Aeon: not only do stories shape our thought processes in many ways similar to lived experience, they may also strengthen empathy as readers map the narratives of authors.
"I want first to thank you, watching/reading you advocate is an inspiration. I hope to one day be as articulate and hard-working as you. If you're able, could you point me to some favorite writings on privilege/intersectionality/feminism? I'm interested to see what's inspired/informed you. Thank you!" Writer, feminist (and crafter) Ijeoma Oluo provides ten solid links to educational resources online (caveat: she does state, though, that these links barely scratch the surface.) [more inside]
On Not Remembering.
For me, dwelling on the past has become a habit of mind. Even more than that, it’s become the material of my work. My drive to make art out of the miserable, the glorious, the confusing material of my past, seems deeply embedded in my creative DNA. If I were a different kind of writer, my past might become merely the trace elements underlying my fiction; if I were a different kind of writer, I could have the multiple “I”s of the lyric poet without being held to any one of them as the absolute autobiographical truth. Instead, I seem condemned to the limited material of my own past.
The Best American Essays of 2014 Many of the essays are behind paywalls, or subject to monthly article limits. I've linked to those as well because some of you have access through work, school, or subscription. [more inside]
Andre Aciman, professor of comparative literature at CUNY, on writing, his work, and inspirations (SLYT).
Leviathan - a short story by David Sedaris
"Perhaps shipping also reflects the yearning for a small moment of control in a chaotic world. Children often react to their inherent powerlessness by retreating to the wide-open spaces of their imagination. They make their dolls kiss (or fight), and feel a sense of control that they lack in the real world. As fans, people may not be the author of the fictional worlds they love to inhabit, but when they ship, they can momentarily grab the wheel in the most exhilarating of ways — envisioning and championing relationships that demonstrate their own mastery of a created universe, and their true feelings about how love should exist in that world, if not indeed in their own." [via mefi projects; single-page format]
Bret Victor talks about media, abstraction, and the richness (and neglect) of human experience (slvimeo) [more inside]
Neil Gaiman talks about writing "Good Omens" - "Terry Pratchett and I met in February 1985, in a Chinese restaurant. I was a young journalist. He was a former journalist and Electricity Board PR, and a writer who had just published his second Discworld novel. I was the first journalist who had ever interviewed him."
Contributors to The Toast are paid a flat, one-time fee of $50 on publication. No further compensation is due, even if The Toast re-publishes the contribution. The Toast also reserves the right to edit at will.MeFi favourite The Toast came under fire on Tuesday, as according to Writer Beware, it turned out they paid their contributors a flat $50 fee for all rights in perpetuity. This is not surprising behaviour for an internet content farm, but what may be surprising was the resolution. [more inside]
These aren't ideal provisions, but they're not uncommon. What is uncommon: contributors must hand over copyright and waive all moral rights (including the right of attribution).
The 2014 Black List Has been announced - the top unproduced scripts of the year, according to Hollywood insiders. Excited film buffs will be scouring the list for overlooked gems and masterpieces that might have been, but why not go a different route? The Ten Worst Sounding Black List Scripts.
Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.—From Patrick Modiano's lecture when receiving the Nobel Prize in Literature [Original French, Swedish and video] which is about cities, old telephone directories but mostly about writing, how to do it and what it's like.
Seeing ‘the Man Who Fell To Earth’ Was One Of The Greatest Experiences Of Philip K. Dick’s Life - The time PKD got really into David Bowie.
The act of pen-palling mirrors the mindset shift that will be necessary to rethink how our society "does justice" on a much larger scale. My conversations, correspondences, and relationships with prison-torn families have taught me that separation breeds more separation, that the coldness and isolation of prison breed the coldness and isolation of violence. And I think about how the one-on-one relationship, in which the prisoner emerges as a person (with thoughts, a personality, a history, hopes, dreams, nightmares), might serve as a model for the beginnings of a person-based, connection-based justice system.The Radical Power of a Prison Pen Pal, a longform essay by Maya Schenwar, Editor-in-Chief of Truthout and author of Locked Down, Locked Out: Why Prison Doesn't Work and How We Can Do Better. [more inside]
Do you need to get the lead out? Are you having trouble getting to the point? Maybe this post all about the joys of mechanical pencils will help!
- Dave's Mechanical Pencils is probably the
goldlead standard, with reviews and links about everything related to mechanical pencils, leads, erasers, and pencil-related ephemera.
- Vittorio Villani's Drafting and Mechanical Pencils takes more of an individual collector's approach, with many beauty shots along with the reviews.
- All jammed up: The Old Geezer offers advice on how to clear a lead jam.
- Leadhead's Pencil Blog focusses on antique and vintage mechanical pencils. They are works of art themselves, and blogger Jon Veley has even set up an online museum.
- Leadholder Drafting Pencil Museum hasn't been updated in a while but is an exhaustive collection of lead-related material, including a section on the mechanics of different types of mechanical pencils.
- If you've only seen one mechanical pencil, it was probably a Scripto.
- The Pencil Pages is a treasure trove of pencil information and links.
- Finally, Pencil Revolution (previously) does not limit itself to mechanical pencils but the entire pencil lifestyle. After all, a great pencil needs great paper. (Warning: the links will take you down a time-sucking, pencil, paper, and office-supply rabbit hole.)
The habitual liar may be a very honest fellow, and live truly with his wife and friends; while another man who never told a formal falsehood in his life may yet be himself one lie-heart and face, from top to bottom. This is the kind of lie which poisons intimacy. And, vice versa, veracity to sentiment, truth in a relation, truth to your own heart and your friends, never to feign or falsify emotion—that is the truth which makes love possible and mankind happy. Robert Louis Stevenson on truth and writing.
Thomas King wins Governor-General’s Award for fiction In February, King won the British Columbia’s National Award for Canadian Non-Fiction for The Inconvenient Indian: A Curious Account of Native People in North America. On Tuesday, he won the Governor-General’s Literary Award for Fiction for The Back of the Turtle, his first novel in 15 years. [more inside]
I never correct anything and I never go back to what I have written, except to the foot of the last page to see where I have got to. If you once look back, you are lost. How could you have written this drivel? How could you have used "terrible" six times on one page? And so forth. If you interrupt the writing of fast narrative with too much introspection and self-criticism, you will be lucky if you write 500 words a day and you will be disgusted with them into the bargain. A year before his death, James Bond author Ian Fleming explained how to write a thriller.
"Martha Gellhorn’s pen pals included Eleanor Roosevelt, Maxwell Perkins, H.G. Wells, her husband (later, ex-) Ernest Hemingway, and Peggy Schutze, my maternal grandmother." Author Amy Shearn shares some of the letters her grandmother received from legendary war correspondent Martha Gellhorn with the hope that, "if I studied Martha, the writer who wanted to be a mother, and Peggy, the mother who wanted to be a writer, some golden mean would eventually present itself."
Anyway, I had just finished reading a story I thought was really bad; I closed the book and said to myself, “I can do that.” I realized quite a bit later that I had given myself permission to write a bad story, but nevermind. I wrote a story in a notebook, the three-ringer lined paper kind, and I rented a typewriter. At least I knew it had to be typed double space, but that’s all I knew. I had never met a writer and there wasn’t a wealth of how-to books back then. I used the anthology for a clue about where to send the story and came up with Astounding Magazine. I sent off the story, and while I had the rented typewriter I wrote another story in the same notebook, copied it and this time sent it to Amazing. John Campbell at Astounding Magazine sent me a letter of acceptance along with a form to be notarized stating that it was an original story and I was the writer. I had no idea that that was not standard, and followed the instructions, and presently I received a check. I bought the typewriter with it.For Amazing Stories, R.K. Troughton interviews should be a SFWA grandmaster already Kate Wilhelm, writer & novelist, co-creator of the Milford and Clarion Writing Workshops, designer of the Nebula Award. [more inside]
On Wed Nov 19, 2014, in an awards ceremony emceed by Daniel Handler-aka-Lemony Snicket, Ursula K. Le Guin gave "the most ferocious speech ever given at the National Book Awards." Le Guin's acceptance speech for the Medal for Distinguished Contribution to American Letters touched on the Amazon vs Hachette throwdown and the practice of art in an age of capitalism. Video. Transcription.
Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings.
"Books are dead. It's sad, but it's basically true. Sure, you can eke out a decent living if you dedicate yourself to your craft, spend years researching niche topics, and fleshing out the true human characteristics of your characters–that is, if you're extremely lucky and enormously talented. Or you could write a young adult novel."
"The next day, though, I woke up unnerved and dimly remembered getting badgered by Wesleyan after I graduated in 2001, asking me to do something to save the messages after they were transferred onto a web-based system. I typed in “email.wesleyan.edu” and my old username, just to see what would happen. | It opened up with my first guess at a password. Over four thousand emails —including sent mail, drafts, “_pine_interrupted_mail,” something called “dead letter” and another folder called “postponed_msgs”—stared at me. Who were these people? Who was I?" --Every email is a Ghost Story on the Awl.
"Despite its youth, the section has a much longer history, one that encompasses the long effort of women in journalism to be taken seriously as reporters and as readers, the development of New Journalism, large-scale social changes that have brought gay culture into the mainstream, shifts in the way news is delivered and consumed, and economic consolidations and disruptions that the section has, sometimes in spite of itself, thoroughly documented and cataloged. The Styles section may well be pretty stupid sometimes. It’s also a richer and more complex entity than any of us would like to believe." - Bonfire Of The Inanities - Jacqui Shine writes a long, detailed history of the New York Times Style Section.
compulsively feel compelled tend to edit yourself as you write, you may benefit from ilys. Just enter a target wordcount and tap away. Until you meet your goal, ilys conceals what you've written and prevents you from backspacing. [more inside]