I had never heard of Dustin Shuler before today. So, this is not an obit post, even if I learned about his death at the same time I discovered his art in this nytimes article. So I visited his website. Although his work has been dismissed as "derivative", there is only one word to describe an artist who has created "Destruction of the Nightmare Towers" in 1977 and "Death of an era" in 1980: visionary.
posted by bru on May 14, 2010 - 23 comments

"First we kill the architects..." Photographer Danny Lyon [1, 2, 3, 4] offers ten suggestions for New York City. Suggestion #6: "Leave the World Trade Center excavation exactly as it is and use the space as a freshwater pond planted with pink, white, and yellow lilies..." His essay is only one of many from names you'll recognize in a book called Block by Block: Jane Jacobs and the Future of New York. An associated exhibition opened yesterday [museum, NYT review]. Is New York City moving in the right direction? Is your city? [via] [more inside]
posted by salvia on Sep 26, 2007 - 19 comments

Tumbling Woman A statue of a falling woman designed as a memorial to those who jumped or fell to their death from the World Trade Center was abruptly draped in cloth and curtained off Wednesday because of complaints that it was too disturbing. It's all right if you don't want to discuss it here and now. I was also in NYC and saw the towers on that day.
posted by neu on Sep 18, 2002 - 70 comments

In reviewing ‘A beautiful mind’ NYT reviewer said of Nash "Before he married Alicia …he fathered another child…. and abandoned both mother and child to poverty. He formed a number of intense, apparently sexual bonds with other men, and he lost his security clearance ….. after he was arrested for soliciting sex in a men's room. When his illness became intractable and his behavior intolerable, Alicia divorced him. …. None of this has made it to the screen." It went on to say that "The story ….egregiously simplifies the tangled, suspicious world of cold war academia." Most other reviewers appears to have judged that movie on its merits as a work of art and seemed to like it. Recently, the plans to build a statue to honor the FDNY firefighters were dropped after a controvery broke out over plans to alter the original image of three firefighters hoisting the American flag. In an article that tried to put the later controvery in a context, NYT said that that "Sculptors, and artists in general, always take liberties". Conservative columnist Jonah Golderg in a different column defended the sanctity of ‘factual accuracy' in art. I rarely agree with Goldberg. But I think if one is depicting an event or a likeness of an event one has an obligation to stay close to the truth. Where do you draw the line between creative freedom and factual accuracy?
posted by justlooking on Jan 20, 2002 - 27 comments

Will a changing world change film? Will the Sept. 11th tragedy instill a new social or political significance to contempoary art? Does this mark the end of irony? How do you think these recent events are going to shape film, art and comedy?
posted by crog on Oct 4, 2001 - 21 comments

O Superman I went to the Laurie Anderson show last night in Toronto. I seriously didn't want to and was praying for a cancelled show. I ended up enjoying it fully. Art really can heal. She began the show by dedicating the music to "everyone who died Tuesday, freedom and sanity." Strangely, many of her songs make reference to airplanes and fire. Spookiest moment of the night: during her signature song "O Superman," the lines "Here come the planes. They're American planes, made by Americans." Read the lyrics - the song is loaded with eerie references.
posted by davebush on Sep 14, 2001 - 10 comments