YouTube
(Google) is
spending $100 million dollars to create 25hrs a day of new original content. Intending to compete with cable TV, they'll have
100 "channels" with regular series and well-known talent. The channels are being developed "specifically for the digital age," which sounds like they're trying to create a new type of media, they compare it to the advent of cable television. There's a graveyard of
ideas like this that failed, but maybe YouTube is different this time. First channels show up in a few weeks, most appear in 2012.
posted by stbalbach
on Oct 29, 2011 -
51 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
Corey Arcangel is perhaps the internet's most
infamous hack,
masher-upper,
digi/net artist.
His work stands for a
growing culture of artists who
run wildly through
animated GIF landscapes populated with corrupted
data-compressed bunny rabbits and tinny, MIDI
renditions of Savage Garden ballads. As the
Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net
art be set to
infect the real,
fleshy world, like a rampant
Conficker Worm? Has
YouTube become the truest reflection of our
anthropological selves? Are we destined to roam the int3erw£bs like the
mythic beasts of yore, hoping,
in time, that
digi art can free us from the confines of this fleshy void?
[...
previously]
posted by 0bvious
on Dec 8, 2009 -
20 comments
The evolution of the US presidential campaign ad, 1952 to 1996...
1952: Eisenhower-Nixon (
We Like Ike,
The Man from Abilene)
vs Stevenson-Sparkman (
I Love the Gov [apologies for the intro],
Ike... Bob..., Vote Stevenson/The Music Man, (
Remember the Farmer, Back to the Days of '31).
Bonus: Newsreels dealing with the campaigns.
1956: Eisenhower-Nixon (
Eisenhower Answers America: The Cost of Living [excerpt],
Corruption (california spot))
vs Stevenson-Kefauver (
How's that again, General?,
The Man from Libertyville [same annoying intro], Ad-lee, Ad-lie).
Bonus: Election Day newsreel, including a santa Claus arriving in a flying saucer;
Eisenhower, Suez, and hungary in 1956.
[more inside]
posted by flibbertigibbet
on Aug 22, 2008 -
46 comments
