Artist, The Toast contributor, adult movie star, and all-round very sharp guy Zak Smith talks about the absolute worst way possible to do art criticism. Zak Smith previously.
The Best Monster: Playing Dungeons and Dragons with Zak Smith "Once below the lake, things go south. There are multiple floors of ogres, 50-foot-tall colorless rooks with swimming pool heads full of floating vampires, chanting evil clerics — the phantasms of Zak’s mind. Each time we need to go down a level or into a room, Tyler, least likely to survive, goes in first. We get attacked by giant green boars, throw fireballs, and now have flaming giant angry wild boars. Laney manages to charm one. She likes pigs, she tells me, and shows me a tattoo she has of a flying pig on her back."
On March 5th, the Associated Press asked: “What are seemingly jet-propelled cats and birds doing in a 16th century German artillery manual?” It was a good question. [...] European History People sent burning pigs stampeding toward their neighbors regularly and would put a rooster on trial for real actually with a lawyer and everything if someone said it laid an egg without a yolk. If someone like that was soberly strapping a rocket to a cat and you interrupted them in their cat-to-rocket-strapping-room they’d look up like “Yeah?” and they would have this big pinky white person expression on their face like it wasn’t even a little bit weird. [more inside]
Artist Zak Smith addresses the problem of Big Art made by assistants for artists who don't claim to use assistants. good bit starts at 3:40