The Pope, the Emperor and the Grand Duke
September 28, 2011 7:55 PM Subscribe
For centuries, Renaissance composer Alessandro Striggio's "Missa sopra Ecco sì beato giorno", an enormous setting of the Mass for 40 and 60 voices, was thought to be lost to the ages. A few years ago, UC Berkeley musicologist Davitt Moroney discovered that a copy of the work, attributed to a non-existent composer, was hiding right under our noses, in the Bibliothèque nationale de France. In an hour-long lecture titled "The Pope, the Emperor and the Grand Duke", Professor Moroney recounts the story of the Mass's disappearance and rediscovery, describes the historical significance of the music, and unravels the intriguing geopolitical landscape of 16th century Italy.
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