The six-minute ‘True Detective’ tracking shot, and the night TV changed
December 23, 2014 12:09 PM Subscribe
"Over the course of eight episodes, Fukunaga essentially rewrote the visual language of a televised cop show. Gone were the traditional establishing exterior shot of a police department, leading to an establishing shot of an office, a two-shot of the players, and a series of reaction shots between them as a conversation takes place. Here we had a director who seemed to take every frame, every movement, every bit of shadow, and every movement of the camera as seriously as the story."
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