"the uncanniness of recorded music"
March 10, 2015 7:06 AM Subscribe
For a hip-hop fan, listening to ’60s and ’70s soul albums means regularly encountering familiar breaks. When I first heard “Are You My Woman (Tell Me So)” by the Chi-Lites, I immediately recognized the horns and drums from Beyoncé’s “Crazy In Love.” While I understand that, logically, the breaks in the Beyoncé song are really from the Chi-Lites, I still hear them as “belonging” to Beyoncé’s producer Rich Harrison.In the first of four posts about music composition, Ethan Hein looks at sampling, hiphop, copyright, the moral rights of artists and the idea that breaks only exists once they're used by a producer, starting out from “They Reminisce Over You (T.R.O.Y.)” by Pete Rock and CL Smooth.
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