“street-level, real-world kinds of stories.”
July 5, 2015 5:16 AM Subscribe
In Hawkeye, narrative strategies like the in media res opening, the flashbacks, and the flashforwards are complimented by Fraction and Aja’s use of motifs to thicken individual issues and stories. In #3, two different lists—the “nine terrible ideas” Clint has on the day the story takes place (featured in first-person captions), and a catalog of the trick arrows in Clint’s quiver (featured in inset panels with labels like “Explosive-tip Arrow”)—offer running commentaries on the dominant story. Sometimes Hawkeye’s echoes and callbacks can be very on-the-nose, as in the small panels of Clint praising his boomerang arrow that appear early and late in the story.For The Comics Journal, Craig Fischer examines Matt Fraction/David Aja's Hawkeye. Warning: spoilers.
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