¡El pueblo unido, jamás será vencido!
January 27, 2017 3:50 PM   Subscribe

Need a rousing song for your marches? In 1973, Chilean composer Sergio Ortega and the folk group Quilapayún wrote the ultimate political marching song, ¡El pueblo unido, jamás será vencido! (Inti-Illimani, 2010, goosebumps start at 1m:10s) in support of Salvador Allende. After the 1973 Chilean coup the song became the anthem of the Chilean resistance and has since become a universal protest song (wikipedia). posted by elgilito (6 comments total) 49 users marked this as a favorite
 
There are few times that I want a "love" instead of the traditional mefi "favorite". This is one of them.
posted by eviemath at 4:23 PM on January 27, 2017 [7 favorites]


A stunning post. Thank you!
posted by allthinky at 5:49 PM on January 27, 2017 [2 favorites]


Shortly before the end of Pinochet's regime, there was a general loosening of the state-led repression in Chile, a sort of appetizer for democracy.

Inti Illimani and Quilapayún came back from exile, and headlined a massive, open air, free concert in one of the largest slums in Chile. I was in my senior year of high school, and I and a few of my anti-Pinochet classmates were there.

I remember the novelty of walking through a literally dirt poor neighborhood, shouting out protest slogans and songs, with no cops to be seen anywhere near the concert.

Raising a fist and singing el Pueblo Unido in the streets of a soon to be free Santiago was one of the high points of my teenage years.

So yeah, feels, and thanks.
posted by signal at 7:15 PM on January 27, 2017 [25 favorites]


The Rzewski is a fucking masterpiece. I listened to it for days after the election — its despair, its anger, its hope were what I needed to feel.
posted by pmdboi at 7:31 PM on January 27, 2017 [6 favorites]


Thanks a lot.
(and also, Charlie haden's LMO).
posted by nicolin at 2:24 AM on January 28, 2017


It honestly took me a bit to come to terms with Rzewski's variations, as famous as they are, because it always seemed to me that to abstract the original song as material for a variation also abstracted away what made it vital, since it is so perfectly tailored to be a protest song. I'm a little embarrassed that I ever felt that way, since at this point it's so obvious to me that the variations each draw from a strong well of feelings like the ones that pmdboi identifies that are anchored in the context of the original song. The variations here aren't a formal exercise, more a series of contemplations. It's a piece for the soul.
posted by invitapriore at 10:27 AM on January 28, 2017 [2 favorites]


« Older The Last Jedi (Singular/Plural/Only A Callback)   |   Japan has its first native-born yokozuna for 19... Newer »


This thread has been archived and is closed to new comments