HW: On the World War II political cartoons for PM and propaganda films for Frank Capra's Signal Corps: did Geisel come to regret some of the racism displayed in those pieces, especially since race was a theme of American culture and politics (in The Sneetches and even somewhat in Horton Hears a Who) that he took an interest in?In this article, an interview with the creator of The Political Dr. Seuss.
RL: That's a really good question, and I wish I knew for sure what the answer was. The only evidence I have comes from his biographers, who told me that years later—although still recognizing its necessity due to the war—he was regretful about some of his cartoons for PM and some of the propaganda work he did for the Army Signal Corps. I do think the fact he dedicated Horton Hears a Who—a parable about the American postwar occupation of Japan—to “My Great Friend, Mitsugi Nakamura of Kyoto, Japan,” says something of his changing attitudes toward the Japanese (this following a trip he made there in 1953). Though, as Richard Minear has pointed out, Horton Hears a Who still smacks of American chauvinism, and it makes no reference to Hiroshima and Nagasaki.
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posted by Blasdelb at 9:22 PM on June 5, 2011