"The rhythm of a work is equal to the idea of the whole."
June 14, 2011 1:33 PM Subscribe
Berlin, circa 1921: The painter Hans Richter turns his talents to film and produces one of the earliest abstract films, Rhythmus 21. Clocking in at just over three minutes, it's a significant departure from the newsreels, romances, cliff-hangers, and penny-dreadfuls that made up the bulk of film production in the early ’20s—the first decade in which the film industry began to play a major economic and cultural role around the world.Richter continued to
make experimental and increasingly
politicized films in Germany through the Weimar period before fleeing the Nazis in 1933. He settled in the United States in the '40s and continued to make films, including
Dreams that Money Can Buy and 8
x 8: A Chess Sonata in 8 Movements in collaboration with such avant-garde luminaries as Max Ernst, Marcel Duchamp, Jean Cocteau, Paul Bowles, and others. [A little more Richter goodness,
previously]
posted by scody (9 comments total)
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posted by Faze at 1:54 PM on June 14, 2011 [1 favorite]