The censor labels the work immoral, or blasphemous, or pornographic, or controversial, and those words are forever hung like albatrosses around the necks of those cursed mariners, the censored works. The attack on the work does more than define the work; in a sense, for the general public, it becomes the work. For every reader of “Lady Chatterley’s Lover” or “Tropic of Capricorn,” every viewer of “Last Tango in Paris” or “A Clockwork Orange,” there will be ten, a hundred, a thousand people who “know” those works as excessively filthy, or excessively violent, or both.I think this is the key paragraph. Rushdie is saying that one need not eliminate access to a work to censor it - all one need do is to label it as uhnenjoyably in enough people's minds that it becomes so.
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Yup. We approve of originality, until we actually see it.
posted by El Sabor Asiatico at 8:09 AM on May 16, 2012 [2 favorites]