The
Canto Ostinato is a minimalist classical composition written in 1976-1979 consisting of "small, entirely tonal cells which are repeated - how many times is left to the performer". Usually performed by
two or
four pianos, it's also been adapted to other instruments
like the harp. The Canto Ostinato ("stubborn song") was written by Dutch composer
Simeon ten Holt, who passed away yesterday.
Born in 1923, Simeon ten Holt studied with people like
Jacob van Domselaer,
Arthur Honegger and
. He first came to prominence in the 1950ties with his socalled diagonal compositions, using complementary keys and tritones, then started writing more
serialist compositions, all of hwich he'd largely abandoned by the early seventies, as he started to write the Canto, abandoning formalism for a more minimalist, impressionist approach. The Canto therefore has no set lenght, but can take anywhere from thirty minutes to as long as a day. A popular piece in the Netherlands, it has been performed not just in the usual concert halls, but also e.g. in
Leiden train station.
A "complete" version of the Canto
has been uploaded to Youtube by a Dutch broadcaster.
While the Canto was his best known piece,
he produced several more compositions in the same style, some of which are also available on Youtube:
Fascinating, as at the moment I saw this, I was watching a video of a new friend who was the first person to tell me about Canto Ostinato, just a few months ago: she was about to see it performed in Ottersum. I missed a performance in Nijmegen a few weeks back, too.
Who's the third colleague supposed to be, after Honegger?
I look forward to digging in to more of his work. This strikes me as an obituary post done well.
posted by knile at 2:03 PM on November 26, 2012 [1 favorite]