In the first episode, Gatiss explores the Golden Age of Hollywood horror, or the Universal era, the 1920s to 1940s. He looks at the silent film The Phantom of the Opera (1925), starring Lon Chaney, the first great horror talkie Dracula (1931), starring Béla Lugosi, and the later release of James Whale's Frankenstein (1931), featuring Boris Karloff. He focuses in particular on Son of Frankenstein (1939), a personal favourite which he feels has been neglected.Episode 2: Home Counties Horror
The episode includes interviews with John Carpenter, Sara Karloff, Gloria Stuart, Carla Laemmle, Donnie Dunagan, and Sheila Wynn (Lugosi's co-star in a 1951 Dracula tour).
The second episode focuses on the British Hammer Films of the 1950s and 1960s, which inspired Gatiss' childhood passion for horror. He meets key figures from Hammer to discuss the series of Frankenstein and Dracula films which made stars of Christopher Lee and Peter Cushing, both of whom Gatiss argues are underrated talents. He also identifies a short-lived sub-genre of British "folk horror", drawing on paganism and folklore, including Witchfinder General (1968), his personal favourite Blood on Satan's Claw (1970), and The Wicker Man (1973).Episode 3: The American Scream
This episode includes interviews with writer-producer Anthony Hinds, writer-director Jimmy Sangster, director Roy Ward Baker, Barbara Steele, star of Black Sunday (1960), director-producer Roger Corman, director Piers Haggard, John Carpenter again, and actors Barbara Shelley and David Warner. Also included are archive interviews with Peter Cushing and Vincent Price.
In the third and final episode, Gatiss looks at American horror movies of the late 1960s and 1970s, including Night Of The Living Dead (1968) and The Texas Chain Saw Massacre (1974). As well as the emergence of slasher films, Gatiss examines the other great horror film trend of the era, the theme of Satanism and demonic possession in films such as Rosemary's Baby (1968), The Exorcist (1973) and The Omen (1976).To round out the series, a related special was produced in 2012, called Horror Europa
This episode includes interviews with writer David Seltzer and directors Tobe Hooper and George A. Romero, who also made Martin (1978), another personal favourite which Gatiss considers neglected. Gatiss meets David Warner, Barbara Steele and John Carpenter again, accompanying Carpenter on a tour of the set locations for Halloween (1978). He also visits the Bates Motel, the set location for Alfred Hitchcock's Psycho (1960).
This 90-minute exploration of European horror reunited Gatiss with director John Das and consultant Jonathan Rigby.See also: Horror Europa Q&A
Gatiss' interviewees included Harry Kümel, Annette Chaton (daughter of Thomas Narcejac), Edith Scob, Fabrizio Bava (grandson of Mario Bava), Dario Argento, Narciso Ibáñez Serrador, Jorge Grau and Guillermo del Toro. Among films covered were Daughters of Darkness, The Cabinet of Dr Caligari, Nosferatu, The Hands of Orlac, Les Diaboliques, Eyes Without a Face, Black Sabbath, Blood and Black Lace, The Bird with the Crystal Plumage, Suspiria, La residencia, Who Can Kill a Child?, The Living Dead at Manchester Morgue, The Devil's Backbone and Pan's Labyrinth.
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