How do we feel about the joyous conclusion to Meistersinger after seeing Goebbels leading repeated cries of "Sieg Heil" before Karl Bohm conducts Wagner’s comedy at the dedication of the Deutsches Opera? How do we respond to Knappertsbusch’s Parsifal after witnessing his Beethoven 9 from 1942 (or 1943) with all sorts of Nazi paraphernalia in the background?-- Great Conductors of the Third Reich
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posted by matteo at 7:20 AM on December 19, 2005