I comforted myself with the thought that it must have been equally frustrating for the musicologists who went to the Mississippi Delta in the 1950s to record blues artists with a view to saving and popularising their music. On reflection, it was easier for them. If they could get a tape on to radio, the listeners could decide whether they liked Blind Preacher Johnson's 12-string guitar. If I wrote an article about a sour Flemish Red Ale, my readers still could not taste it.
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