More often the horror movie points even further inward, looking for those deep-seated personal feers--those pressure points--we all must cope with. This adds an element of universality to the proceedings, and may produce an even truer sort of art. It also explains, I think, why The Exorcist (a social horror film if there ever was one) did only so-so business when it was released in West Germany, a country which had an entirely different set of social fears at the time (they were a lot more worried about bomb-throwing radicals than about foul-talking young people), and why Dawn of the Dead wen through the roof there.Oddly enough, I'd written about the same passage some time back in talking about the Body Snatchers works, and I'd also misremembered it, thinking King tied Dawn's West German success explicitly to commercialism.
--Danse Macabre, Berkely ed., 1983, p. 131
« Older Everyone loves pixel art.... | First Nations Histories... Newer »
This thread has been archived and is closed to new comments
posted by Dr.James.Orin.Incandenza at 11:45 AM on February 15, 2007 [3 favorites]