Subscribeanalyzing the content, style, technique, colour and preservation status of the cliff carvings, and by comparing them with other excavated relics, Zhou explained. But Chen Zhaofu argued that most of the carvings would be about 3,000-year-old. Because they mostly reflected the culture of the Xiongnu or the nomadic Hun people during the 3rd and 2nd centuries BC, Chen explained. He also stressed that all the arguments needed to be proved by modern technology and in-depth research.
《新民周刊》:那大麦地的岩画与汉字起源到底有没有关系呢?
汤惠生:我们既然确定了大麦地岩画的时代,那么我们便可以确凿地认为,大麦地岩画与汉字的形成没有任何关系了。即便是大麦地岩画的时代远远早于甲骨文,我们也不能因为它们在某种程度上相似而认为两者之间有什么联系,尽管许多岩画符号具有表意和指事功能。二者最大的区别是岩画没有表音功能,其符号在象征系统中不具有经常性和稳定性。此外文字是用于交流的语言的象征体系,是一种专门工具,而岩画则更多是一种宗教仪式。大麦地有些画面被加以明确解释,如“臣服”,这只是一种望文生训式的猜测,即便是正确的,也不能因此而将大麦地岩画与汉字之源或文字相联系。即便是两者之间有关系,但这种建立在经验感觉之上的归纳法本身就不具备科学性。
从认识论角度或人类学角度来看,岩画和甲骨文或许有关联,因为二者都有象形功能;但从考古文化类型学角度来看,二者是不可能有渊源关系的,因为二者分属于完全不同的文化体系,或用生物学的说法属于不同的种。这个道理就如同我们现代人不是尼安德特人的后代一样,尽管我们现代人类的祖先与尼安德特人有着很多的相似之处。我们讨论汉字的起源时不应该从认识论和人类学的角度来进行,因为这种通则式的研究在讨论种族和地区文化起源时不仅于事无补,反而会模糊了问题的焦点。我们对汉文字起源的研究假如基于这种错误的方法来进行,我以为不会有任何结果和进展的。
Xinmin Weekly: So is there in fact any link between the Damaidi rock carvings and the origin of Chinese characters?Mr Tang ends by saying: "我再次强调,我这里仅仅针对来自部分新闻媒体的说法。炒作不仅丝毫不会提升我国学术研究的质量,也丝毫不会提升我国的政治文化等影响,反而会贻笑大方,此风不可长。" ("I'll reiterate, what i say here is aimed at they way things are being reported in some of the media. Hyping things up will not only not help raise the quality of academic research in China, nor will it improve the China's political or cultural influence or the like. Quite the reverse, we will invite ridicule. This is not a tendency we should be encouraging.")
Mr Tang: Since we've confirmed what era the Damaidi rock carvings come from, we can say even more conclusively that they have absolutely no connection to the form taken by Chinese characters. Even if the Damaidi carvings did date from a period much earlier than oracle bone script, we couldn't say that the two were related because they resemble one another on some level, even if the symbols in many rock carvings do have semantic or ideographic functions. The biggest difference between the two is that the rock carvings have no phonetic function. The symbols have no fixed or regular meanings within an ideographic system. Moreover, characters are an ideographic representation of language designed to communicate, a kind of specialist tool, but rock carvings more usually have a religious ritual function. Some specific definitions have been give to certain of the Damaidi carvings, such as [giving one the purported meaning] "submission to rule," but these are guesses based on post hoc interpretations drawn from their form. Even if they are in fact correct, it doesn't mean you can link the carvings at Damaidi to the origins of Chinese characters or other writing. And even if there is a link between the two, this kind of inductive reasoning based on experiential evidence is not scientific.
Looked at in epistemological or anthropological terms, they may be a link between rock carvings and oracle bone script, as the two both have ideographic functions; but in terms of archaeological or cultural typology there is no possibility the one is the source of the other, as they belong to two completely separate cultural systems. To use the biological terms, they belong to different species. This is the same principle that says we modern humans are not the descendants on Neanderthals, even though our ancestors were similar to Neanderthals in many ways. We shouldn't be discussing the origins of Chinese characters in epistemological or anthropological terms, because research couched in such generalities is not only of no help in discussing the origins of an ethnic or regional culture, it in fact makes the focal point of the issue less clear. If we base a study of the origins of Chinese characters on this kind of erroneous methodology, it is my contention that we shall see no [worthwhile] results or progress.
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