...Rembrandt's last self-portrait, for instance, shows an old man having a good laugh at the ways of the world, even as he is about to leave the stage. The Western world may be ageing, then, but, far from this amounting to a 'dying of the light', a case can be made for the very opposite, certainly where Bob Dylan's renaissance as an artist is concerned. Neither should age be confounded with a heavier tread. For while a perception and characterisation of the surreal nature of much of human life was a defining quality of Bob Dylan's first golden creative period in the 1960s, it's also a delightful characteristic of his artistic renaissance in the 'noughties' of the new millennium.Bob Dylan and the ageing of the West
...The point at issue here is that the intellectual and the artist are not only diametrically opposed, but actively hostile to one another, absolutely incompatible, in fact.Do we need intellectuals?
...The true battle for human purpose, then, is not fought out there in the wider world, where the intellectual seeks to use his influence, but within the mind of each human individual, which explains Dylan's album title, Bringing It All Back Home. As for that wider world, intellectuals who contribute to the constant struggle for power may well have acted as artists at another time, but in their public endeavours their concern is rarely with humility and truth, more likely with pride and the desire for power. Is it any wonder that so many of their pronouncements are absurd?
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posted by DU at 8:12 AM on May 24, 2007