(
Follow-upFilter) It's rare that jazz videos venture beyond filming live performances. This makes the exceptions all the more notable.
Animation seems the medium of choice: from George Griffin's 1988 paper collage for Charlie Parker's "
Ko Ko" to Len Lye's swinging
The Lambeth Walk (1939), or (stretching musical definitions just a bit) his 1958 masterpiece "
Free Radicals". More recent jazz seems to fit just as well: witness Lung's psychotic piece for Ladyscraper's "
Thou Art Fucking Dead".
Unofficial jazz videomakers have also picked up on the animation vibe, setting John Zorn's "Caligula" to Robert Breer's 1957 piece "
A Man And His Dog Out For Air", creating a fan-
film-direct for Pierre Henry's futuristic "
Psyche Rock", or even just re-editing Disney's "
Elephants on Parade" to Sun Ra's version of the tune.
But there are non-animated jazz videos, too: take the Lounge Lizards' "
Big Heart", self-directed by John Lurie; or Henry Hills' "
Naked City" for John Zorn's "Batman"; Meredith Monk's "
Churchyard Entertainment", or even, on a lighter note, Dizzy Gillespie in "
A Date with Dizzy" (1956).
If these are too short for your visual jazz appetite, you could try long-form works such as Manfred Kirchheimer's beautifully meditative 1979 film "
Stations Of The Elevated with its (counter-)punctuations of Mingus, John Coney's 1972 sci-fi documentary on Sun Ra "
Space Is The Place", or Humbert & Penzel's Fred Frith fresco "
Step Across The Border"
(previously).
posted by caddis at 8:29 AM on July 14, 2008