If anyone of whatever ethnicity can write insightfully on this topic, they are welcome to do so as far as I am concerned. Mazel tov.I think it is safe to say that every culture in the world has experienced some form of abuse and injustice. And for another ethnicity or culture to tap into something as large scale as the holocaust (if written well and with respect) can only help bring attention to these types of issues.
I try to move away from the specifics of this review to the general problem Martel faced with this book – that many critics recoil from the very idea of a Holocaust novel written by an author who is neither Jewish nor basing his work, as with Schindler's Ark, on some sanctified piece of history.Which critics? What outcry? Who's recoiling and savaging him?
Sophie's Choice is one of the best books about the Holocaust that I've read. And she's a Polish lady that ends up in the camps. (And there is so much more to say, but the book is awesome and you should read it.) Though, I guess the Holocaust scenes only play out in flashbacks.William Styron also wrote The Confessions of Nat Turner a slave-narrative of a rebellion on the south. There is a large body of criticism that circulates on whether or not he should be allowed to write on this culture/demographic as well.
Martel thinks it’s time to move past the strict rule that the Holocaust must be approached from a historical realist perspective because of the scope of the horror that occurred. By representing tragedy in a “non-literal, compact way,” he argues, the artist is able to create “art as suitcase: light, portable, [and] essential,” and speak to the emotional side of a tragedy where the voices of billions have been blurred into silence. Hence the donkey and monkey. He compares the need for these fictional characters to Orwell’s Animal Farm, Camus’ The Plague, and Picasso’s Guernica. One things for sure, Martel is a well read guy.
that many critics recoil from the very idea of a Holocaust novel written by an author who is neither Jewish nor basing his work, as with Schindler's Ark, on some sanctified piece of history.Which critics? What outcry? Who's recoiling and savaging him?
In the movie 'Defiance', which was based on real events, the Ukrainian Jews weren't rounded up and taken to concentration camps, but simply shot on the spot.
There were about 26 million russians that were killed by germans. And a lot of them were not in the military
The German-Soviet war accounted for 406 million "man-months," compared with 16.5 million for the Western Front and 5 million for the North Africa campaign. The Soviet Union lost an estimated 11 million soldiers in the European theater, while the United States and the United Kingdom combined lost fewer than 300,000 there. Battle deaths in Operation Barbarossa (Germany's attack on the Soviet Union in 1941) were over 1.5 million, compared with 132,000 for Operation Overlord (the Allied invasion of Normandy in 1944).posted by kirkaracha at 1:02 PM on June 23, 2010 [3 favorites]
The original article and many of the comments above point out that the Holocaust is history for many people that are not, in fact, Jewish.Yeah, thanks. I think we all know that.
It is impossible to control oneself any longer. Brutally we tear suitcases from their hands, impatiently pull off their coats. Go on, go on, vanish! They go, they vanish. Men, women, children. Some of them know.page 43.
Here is a woman--she walks quickly, but tries to appear calm. A small child with a pink cherub's face runs after her and, unable to keep up, stretches out his little arms and cries: "Mama! Mama!"
"Pick up your child, woman!"
"It's not mine, sir, not mine!" she cries hysterically and runs on, covering her face with her hands. She wants to hide, she wants to reach those who will not ride the trucks, those who will go on foot, those who will stay alive. She is young, healthy, good looking, she wants to live.
But the child runs after her, wailing loudly: "Mama, mama, don't leave me!"
"It's not mine, not mine, no!"
Andrei, a sailor from Sevastopol, grabs hold of her. His eyes are glassy from the vodka and the heat. With one powerful blow he knocks her off her feet, then, as she falls, takes her by the hair and pulls her up again. His face twitches with rage.
"Ah, you bloody Jewess! So you're running from your own child! I'll show you, you whore!" His huge hand chokes her, he lifts her in the air and heaves her on to the truck like a heavy sack of grain.
"Here! And take this with you, bitch!" and he throws the child at her feet.
"Gut gemacht, good work. That's the way to deal with degenerate mothers," says the S.S. man standing at the foot of the truck. "Gut, gut, Russki."
"Shut your mouth," growls Andrei through clenched teeth, and walks away. From under a pile of rags he pulls out a canteen, unscrews the cork, takes a few deep swallows, passes it to me. The strong vodka burns the throat. My head swims, my legs are shaky, again I feel like throwing up.
« Older As reported a few hours ago in The Australian, the... | The Needle Drop with Anthony F... Newer »
This thread has been archived and is closed to new comments
posted by Burhanistan at 7:11 AM on June 23, 2010 [5 favorites]