for his cartography of structures of power and his trenchant images of the individual's resistance, revolt and defeat
October 7, 2010 5:47 AM Subscribe
Mario Vargas Llosa wrote poems when he was young. His father famously responded by sending the boy to military school—where he spent two ghastly years, gathering inspiration for his first novel—La Ciudad y Los Perros, published in English as The Time of the Hero. The military burned a thousand copies of the book and Vargas Llosa's infamy was secured.Mario Vargas Llosa, who once ran for president of Peru and once punched Gabriel Garcia Márquez in the face, has won the Nobel Prize in Literature, meaning Ladbrokes dodged a bullet.
But what does this mean for Americans? Entertainment Weekly is there with the local angle:
Many Americans may know Vargas Llosa best for his 1977 comic novel, Aunt Julia and the Screenwriter, which was adapted into American director Jon Amiel’s widely praised movie Tune in Tomorrow, starring Peter Falk as a larger-than-life creator of radio soap operas who manipulates the May-December relationship of a young aspiring writer (Keanu Reeves) and his older, twice-divorced aunt by marriage (Barbara Hershey). (EW’s Owen Gleiberman said the film “crackles with romantic heat.”)
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