Excello Records roundup
December 26, 2012 1:07 AM Subscribe
From the early fifties to the mid-seventies, the Nashville based Excello Records released the kind of raw blues, R&B, and rock & roll that maybe wasn't ever going to make it to the Top 40, but was full of grit and sweat and soul, for those who liked their American roots music unadulterated. Their most well-known release was probably Slim Harpo's Baby Scratch My Back, but rocking blues like Lazy Lester's I Hear You Knockin' and Leroy Washington's Wild Cherry are little unpolished gems which deserved their place on any self-respecting cheap bar's juke box. Lowdown blues like Lonesome Sundown's My Home Is a Prison also found a welcome home at Excello, as did tunes that blurred the distinctions between country/rockabilly and R&B, like Lazy Lester's I'm A Lover Not A Fighter, and latin-tinged swamp-rock chuggers like Charles Sheffield's It's Your Voodoo Working. Then there were the straight up country tunes (reminiscent of that classic early Johnny Cash sound) like Al Ferrier's I'm the Man, or rough-hewn, raucous rockabilly like Johnny Jano's Havin' A Whole Lotta Fun. In short, Excello Records was a microcosm of the sound of the South, and though their artists mostly never achieved much in the way of wider national fame, they are an important part of the patchwork quilt of American pop music history. The tunes included in this post are just the tip of the iceberg: there's so much to explore from this one amazing little label. Happy searching!
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