This is... a bit Anglocentric. Although I think more of his films than not were adaptations of something (not sure if you consider adapting a stage play for film as an adaptation, as Incendies is), but there's also Polytechnique and Sicario. Most Canadians would likely laugh at your characterization of Villeneuve as an "up-and-coming" rather than an already-arrived, too.
Time manipulation is quite literally Nolan's entire bag of tricks, nonlinearity is his ultimate crutch. The moment I saw the title, I knew it would be yet another turn on that singular temporal gag.
one who goes out of his way to shoot effects mainly in camera rather than embracing CGI for his big effects, something I respect
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