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January 18
Infer your way to killing the dragon in
Dragonsweeper, a delightful and slightly maddening roguelike Minesweeper-alike in which figuring out the rules is half the challenge. (The other half of the challenge is killing the dragon.) -
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questions like these tend to be associated with Benjamin Lee Whorf, a fire-insurance analyst who studied linguistics at Yale in the nineteen-thirties. History has been both kind and unkind to him. On the one hand, his name has become synonymous with a theory about how
language affects thought, though it predated him by at least a century. On the other hand, the version of the theory often attributed to him is so radical that few modern scholars would want the honor, anyway [newyorker/
archive] (
previously) -
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How then do we understand our transition to this second orality, this emergence of the undifferentiated digital morass, where the contemporary over-production of poetry makes it impossible to either gain the attention of an audience or to credibly read all that which may merit an audience? In his footnotes, Ruby offers some sobering numbers about the sheer preponderance of poetry being written, a Malthusian condition where the number of writers outstrips that of readers. Then there is the warning Ruby gives in one of his most memorable lines—“Exit: the well-wrought urn. Enter: AI.” from
Rubies Shored Against the Ruin, Ed Simon's essay on
Ryan Ruby's Context Collapse [The Millions] -
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January 17
last updated at 1:44:34 PM PST