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You'll be pleasantly surprised by the huge range of options
Wrapped up in the thrill of discovering this new, delightful art and securing versions of it to gaze at while stirring tea in the morning, my dark, skeptical, spidey-senses failed to engage. High on consumer dopamine and browsing picture frames, I forgot, for an important moment, that we recently crossed over into a different sort of world. The sort of world where it is trivial to prompt a neural network to create an image that pulls on the traditional patterns, subject matter, and motifs of William Morris, but layered with the hyper-realistic, high-definition, pixel-perfect asethetics of the modern web; dramatic lighting and sweeping landscapes ripped from ArtStation, meticulously art-directed details from Wes Anderson film stills, the two-tone color overlays and soft glow effects popularised on Instagram and Pinterest. A system trained on everything we've clicked like on, priming us to like what it makes. from Faking William Morris, Generative Forgery, and the Erosion of Art History
I’ve met a lot of bears, but not nearly as many bears as men
This leads us straight back to the original conversation about “Man or Bear,” which has nothing to do with bears. (Sorry, bears!) “Would you rather be stuck in a forest with a man or a bear?” is just another way of asking, “Are you afraid of men?” It’s the same question I’ve been fielding for the entirety of my life as a solo female traveler. It’s the same question that hovers over women all the time as we move through the world. And it’s a question that’s always been difficult for me to answer. from A Woman Who Left Society to Live With Bears Weighs in on “Man or Bear” by Laura Killingbeck [Bikepacking]
It was a *very* scary ham.
A very old ham finally got the funeral it deserved.
Ellen Klages, during her intro on a recent episode of "Jeopardy!" mentioned an old, scary ham, and encouraged people to learn more about it. The tale of the "heirloom ham" does not disappoint.
Well, you know you can't take it with you
What Should You Do with Your Stuff before You Die?
(slTheWalrus)
Ten Blue Links
On May 15th Google released a new "Web" filter that removes "AI Overview" and other clutter, leaving only traditional web results. Here is how you can set "Google Web" as your default search engine.
If you want to give people easy access to an AI-free Google search, send them to [udm14.com].
Hard Lacquer
What makes urushi so different from any other tree resin or in fact plastic? While it would be overly ambitious to try and offer a full insight into the role of lacquer in the spiritual lives of the Japanese people, this article can point out some elements which may lead to a better understanding of the cultural context in which appreciation for this curious resin developed. Despite the fact that urushi arguably has many drawbacks in both use and production, this ancient tradition has—seemingly against all odds—managed to survive into modern times. Still, the use of lacquer is showing a continued decline in Japan, and its manufacture and use have nearly died out in countries like Korea and Thailand. By offering some understanding about its importance as a bearer of cultural heritage, it is my hope that urushi lacquer will receive more recognition as a unique art form that is deserving of more appreciation and support. from Following the Lacquer God [Garland Magazine]
Fine Distinctions
Probe all the nuances, niceties, and subtle shades of meaning your little heart desires. from A Hairsplitter’s Odyssey by Eli Burnstein
How the internet revived the world's first work of interactive fiction
Life is not a continuous line from the cradle to the grave. Rather, it is many short lines, each ending in a choice, and branching right and left to other choices, like a bunch of seaweed or a genealogical table. No sooner is one problem solved than you face another growing out of the first. You are to decide the course of action of first Helen, then Jed, then Saunders, at each crisis in their lives. Give your first thought, without pausing to ponder.Consider the Consequences!, a 1930 gamebook co-written by author Doris Webster and crusading journalist Mary Alden Hopkins, is the earliest known example of a choose-your-own-adventure (CYOA) text, offering players a series of forking narratives for three interconnected characters with 43 distinct endings, fifty years before the format was popularized (and trademarked). Just a few years ago this pioneering work was at risk of falling into near-total obscurity. But thanks to the efforts of jjsonick on IntFiction.org, you can now read the book on the Internet Archive (complete with nifty graphs of all possible storylines), or -- courtesy of itch.io developer geetheriot -- play the game online in an interactive fiction format powered by the Twine engine. More in the mood for radio drama? Listen to Audio Adventure Radio Hour's 2018 dramatic reading of the book (based on listener suggestions), and wrap it up with a delightful retro-review by librarian pals Peter and Abby on the Choose Your Own Book Club podcast.
"No nice metaphorical way to deal with the rising wave of fascism"
The Apprentice is a 2024 movie about Donald Trump and Roy Cohn, directed by Ali Abbasi and starring Sebastian Stan (CW, discussion of rape).
It's About Time, It's About Space
Ed Dwight, (born September 9, 1933 wikipedia) the first black astronaut, goes to space sixty-three years after Kennedy had made him part of the NASA team.
Step into the Closet
The Criterion Collection, a revered distributor of classic and arthouse cinema, built a vast library of 3,500+ films over the last 40 years. It can be overwhelming, even for cinephiles. Want a savvy friend to guide you? Enter Criterion's Closet Picks, a lo-fi YouTube series which invites top filmmakers, actors, musicians, and other artists into the vault to freely sample while musing about core influences, all-time favorites, and hidden gems. Highlights:
Willem Dafoe -
Maya + Ethan Hawke -
The Daniels (EEAAO) -
Richard Ayoade -
Comic Patton Oswalt -
Yo La Tengo -
Cinematographers Roger + James Deakins -
Charlie Day -
Nathan Lane -
John Waters -
VG designer Hideo Kojima -
Barry Jenkins (Moonlight) -
Dan Levy (Schitt's Creek) -
Cauleen Smith (Drylongso) -
Animator Floyd Norman -
Jane Schoenbrun -
Paul Giamatti -
Marc Maron -
Wim Wenders -
Cate Blanchett + Todd Field -
Hari Nef -
Photographer Tyler Mitchell -
Molly Ringwald -
Peter Sarsgaard -
Udo Kier -
Gael García Bernal -
Pixar's Lee Unkrich -
Singer St. Vincent -
Critic Elvis Mitchell -
Anna Karina -
Bong Joon Ho (Parasite) -
Flying Lotus -
Agnès Varda -
Alfonso Cuarón + Paweł Pawlikowski -
Mary Harron -
Saul Williams + Anisia Uzeyman -
Carl Franklin -
Roger Corman -
Michael K. Williams -
SNL's Bill Hader
// Watch the full playlist, or see this cool database of picks (info), including the most popular.
Long after we are gone, our data will be what remains of us
In this sense, the archival violence inflicted by Artificial Intelligence differs from that of a typical archive because the information stored within an AI system is, for all intents and purposes, a black box. It’s an archive built for a particular purpose, but inherently never meant to be seen—it is the apotheosis of information-as-exchange-value, the final untethering of reality from sense. The opaqueness of this archive returns us to the initial question of capitalism without humans, of an archive without a reader, of form without content. When we are gone, is it this form of control that will remain our record of existence? from An Archive at the End of the World
English as she was Spoke
In 1586, Jacques Bellot published one of the earliest printed phrasebooks for refugees, the Familiar Dialogues: For the Instruction of The[m], That Be Desirous to Learne to Speake English, and Perfectlye to Pronou[n]ce the Same. [...] The book, in 16mo, is laid out in three parallel columns: English, French, and a quasi-phonetic transcription of the sounds of the English text. [...] Bellot says “I have written the English not onely so as the inhibaters of the country do write it: But also, as it is, and must be pronoun[n]ced”. [...] While men had contact with the local community through their work and would have developed enough spoken English to get by, their wives and other family members who were mostly at home had limited opportunities to learn the local language. At this time, there was significant local hostility to foreigners in England, and [...] “a knowledge of everyday English was some protection against mindless scare-mongering” [...] The content of the Familiar Dialogues belies its audience in that it caters to the immediate language needs of refugees and deals with everyday interactions. These include going to school, shopping and eating a meal [...] Indeed , this little book, with its focus on domestic situations rather than travel/touristic situations, anticipates the refugee phrasebooks of the twentieth and twenty-first centuries.Jacques Bellot’s Familiar Dialogues: An Early Modern Refugee Phrasebook // Read the book on Project Gutenberg // The history of Huguenot refugees in England // Linguist Simon Roper has a neat video exploring (and re-enacting) the book's practical "Street English"
Christopher Brown on why slavery abolition wasn't inevitable
Podcast (2:42:24) with transcript.
Christopher Brown is a professor at Columbia specializing in the slave trade and abolition. He argues that abolition, though obvious in retrospect, was not inevitable and relied on a particular set of circumstances that could have been disrupted at many points. He has also written about Arming Slaves and has an interesting review of Capitalism and Slavery at LRB.
Time Is Shaped Like a Labyrinth
Mr. Samuel's Teatime Stories for Good Kids & Confused Adults is a short film in 4 parts by Yara Asmar, a musician, puppeteer, and filmmaker from Beirut. The creator describes it so: "In a wonky universe set within the fake walls of an old abandoned children’s TV show, Mr Samuel and his friends -peculiar, ugly puppets navigating the strange thing that is time- attempt to make sense of it all through stories, songs and arduous loops of nonsensical chores."
Children in a rural New Zealand school sing about their community
The song Our Toanga by the Sea has been produced by the children and wider community of Hampden [map link], and it's simply a nice look at a rural New Zealand South Island coastal settlement (on Highway 1 just North of Dunedin).
I think this has come out at the right time as (most of) the people of NZ are very worried about the new government. We need to remind ourselves of what we have so we can move forward again - this song I think will help.
Toanga in the song name is Māori for treasure
Aotearoa is the Māori name for New Zealand.
The online Māori Dictionary is an extraordinary resource with a nice format, all about the words of our place.
Rebel girl, you are the queen of my world
"I’m bored of that conversation and I don’t want it to be the only thing I’m known for."
Kathleen Hanna interviewed about her newly released memoir, Rebel Girl: My Life as a Feminist Punk
(archive link here)
Another layer of mediation to an already loopy transmission
Though LSD was sometimes passed around in the 1960s on actual blotting paper, sheets of perforated (‘perfed’) and printed LSD paper do not come to dominate the acid trade until the late 1970s, reaching a long golden age in the 1980s and ’90s. As such, the rise of blotter mirrors, mediates and challenges the mythopoetic story of LSD’s spiritual decline. For even as LSD lost the millennialist charge of the 1960s, it continued to foster spiritual discovery, social critique, tribal bonds and aesthetic enrichment. During the blotter age, the quality of the molecule also improved significantly, its white sculptured crystals sometimes reaching and maybe surpassing the purity levels of yore. Many of the people who produced and sold this material remained idealists, or at least pragmatic idealists, with a taste for beautiful craft and an outlaw humour reflected in the design of many blotters, which sometimes poked fun at the scene and ironically riffed on the fact that the paper sacraments also served as ‘commercial tokens’. from Acid media [Aeon; ungated]
"Every time you kiss me, feels like a..." WHAT?
Sock It To Me, Baby! was one of blue-eyed soul singer Mitch Ryder's top-ten hits, from early 1967. The expression is possibly best-remembered today from when a presidential candidate uttered it: In 1968, when Nixon said 'Sock It To Me' on "Laugh-In," TV Was Never Quite the Same Again. (Smithsonian magazine, 2018)
“It’s really a strange town.”
There was allure beyond negation. Branson’s geo-cultural attributes—not quite the Midwest or the South or Appalachia yet also all three; a region of old European settlement but also westward expansion; perched above whatever modest altitude turned the soil to junk and predestined the land for poor Scots-Irish pastoralists; in a slave state with the largest anti-Union guerrilla campaign of the Civil War but little practical use for slavery—invite an unmistakable imaginative allegiance. This is the aspiration and the apparition that the novelist Joseph O’Neill has termed Primordial America, the “buried, residual homeland—the patria that would be exposed if the USA were to dissolve.” “Wherever they hail from,” 60 Minutes’ Morley Safer went on, “they feel they are the Heartland.” No matter the innate fuzziness, Real America in this formula is white, Christian, and prizes independence from the state. It is atavistic, not reactionary. from The Branson Pilgrim by Rafil Kroll-Zaidi [Harper's; ungated]
"I didn’t realize how important it is not to tell the truth"
The Bloggess (Jenny Lawson) has posted about finding art made by a woman, Laura Perea, who was in a psychiatric hospital from the 1940s. She describes what she has discovered about Laura Perea's life and family, and reproduces her art, in three posts: Help me solve a haunting art mystery?; Art mystery possibly solved?; Uncovering the mystery of L. Perea and trying to erase the stigma of mental illness. Content warning: death by suicide of one of Laura Perea's family members.
By default art involves artifice
A comedian’s only responsibility is to make the audience laugh. If you’re not making the audience laugh, then you’re failing at your job. You want to speak truth to power, you want to make a political statement, you want to be confessional—none of that is more or less valid than doing ventriloquism or doing an impression of Christopher Walken. They’re all equal, so long as they make people laugh. If it’s more important to you to do something that doesn’t make the audience laugh, fine, but it’s not comedy. It’s something else. from Two Guys Walk into a Bar: Kliph Nesteroff on the Evolution of American Comedy [The Sun Magazine]
I See Demon Faces Everywhere
Slate: [W]e spoke to Maggie McCart, an administrative assistant at an Illinois university, who suffers from an extremely rare disease called prosopometamorphopsia, which inflicts patients with a variety of wild hallucinations when they look at someone’s face. (archive)
This Is What Being in Your Twenties Was Like in 18th-Century London
This Is What Being in Your Twenties Was Like in 18th-Century London. A newly restored collection of letters describes a 27-year-old’s office job, social life and financial concerns beginning in 1719.
Gm•(t)-p3-itn
Originally published in 1979, 'The Akhenaten Temple Project and Karnak Excavations' is a nice shapshot of the projects overview. "Akhenaten built the Gem-pa-Aten in the third year of his reign to celebrate his jubilee festival (the heb-sed). By year six of his reign, however, Akhenaten had moved the court and royal palace to a new city in Middle Egypt, modern Tell el-Amarna. The extent to which the Gem-pa-Aten and the other structures dedicated to the Aten at Thebes functioned during the king’s hiatus is unknown." from Digital Karnak, A nice index for the history and archeology in Karnak. (Digital Karnak previously)
France reclaims the title for World's Longest Baguette
At an incredible 461 feet (140.53 meters), the baguette baked on Sunday, May 5 has officially exceeded the previous record held by Italy. The municipality of Suresnes now holds the Guinness World Record. (SLNYT)
Yoink
A little activity from a Common Kestrel nest near Windsbach, Germany.
Send not to know for whom the bell tolls (but in this case.......)
What happens if a US presidential candidate dies?
Joe Biden and Donald Trump are the two oldest candidates in US history. If either needs to be replaced, what next? from the Guardian
Shut Up 'n Play Yer ... Bicycle?
In 1963, a clean-cut Frank Zappa appeared live on the Steve Allen show playing a musical composition on bicycles. The entire 16:28 is worthwhile to watch for the conversation and interaction between the two, but the performance with the show's orchestra starts at 11:56. The show's talent coordinator Jerry Hopkins discusses how the young musician's debut performance came about.
I'm warm, therefore I think
Why have philosophers had so little to say about Descartes’s stove, and so much to say about his dreams, his resolve, and his conception of analytic geography on that winter’s night? Suppressing the agency of the stove makes it easier to tell a simple story about the agency of the individual thinker. But it has made it that much harder to discern the subtle yet powerful ways in which modern air conditioning technologies condition thought, culture, and social experience. from Descartes’s Stove by the author of Air Conditioning, Hsuan L. Hsu
“There is an episode of Bluey that Disney does not want you to see”
Dad Baby
is an episode from season two of Bluey, the Australian children’s cartoon, which Disney has refused to make available for streaming, has been uploaded in full to the official Bluey YouTube channel. If you are unfamiliar with the hijinks of the Heeler family, you can watch a selection of episodes on YouTube, either as one long compilation or individually:
Avalanche!
What the heck bro!
Here are 16 videos of avalanches (no audio needed). Just for fun.
My life has gone off the map, it seems. Possibly also off the rails.
At the frame shop there is so much beauty, it can’t be real. Maybe this is the afterlife, I think. Or purgatory. ... When my boss stomps up from his frame-building cellar and sees me, he always barks: Are you still here? Which is literal, because I’m new and only working part time, but also existential because how am I still here—or back here? It’s been a year since I returned to Chicago, but it still doesn’t feel like real life from Don’t Bleed on the Artwork: Notes from the Afterlife by Wendy Brenner [Oxford American; ungated]
"The Brontes had their moors, I have my marshes."
It's spring in Wisconsin, and the rivers are running. Time to think of Lorine Niedecker, Wisconsin's austere laborer poet, who lived her whole life in modest circumstances on the shores of Lake Koshkonong, sometimes working as a janitor. From her small home came some of the greatest American poetry , as she lived her complex, but simple, "Life by Water."
simultaneously beloved and overlooked
Even as stars among her contemporaries have faded into relative obscurity, Niedecker's poetry pitched resolutely between — between avant-garde experimentalism and ethnopoetics, between the gnomic and the manifest — has sustained, across the decades, stalwart devotion. Her position within the canon of twentieth-century American modernism may seem to be in flux, shifting between various contexts — Objectivism and ecopoetics, white settler colonialism, geological and geopolitical history, the artistic legacies of the New Deal and the Popular Front, midcentury feminism, Thoreauvian hermeticism transplanted to the Midwest. Her work can feel both elusive and profusive, her poetic evolution traced across fugitive volumes produced by tiny presses and now appearing in Selecteds and Collecteds rife with textual variations. In our attempts to locate Lorine Niedecker, we do not seek to pin her down but rather to let loose the frustrating delights and joyful contradictions of her art. from Locating Lorine Niedecker by Brandon Menke and Sarah Dimick
Movie: Alphaville
A U.S. secret agent is sent to the distant space city of Alphaville where he must find a missing person and free the city from its tyrannical ruler.
Movie: Ringu
A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger. This is the original Japanese version, not to be confused with the American remake.
Adorable footage of tiny bear cubs emerging from hibernation
Adorable footage of mother bear and tiny cubs emerging from den after hibernation.
It’s spring time in Canada! (Video by Serge Wolf.)
Helen Vendler, 1933 - 2024
Helen Vendler, perhaps the preeminent contemporary American poetry critic, has passed away at 90.
Life Lessons From a Ten-Year-Old Cigarette Vendor
The act of trying to keep things the way they are is insanity. It’s an illusion.
Trying something new means touching the unknown. It can be frightening and cause you to either fight or flee, rather than say yes.
It takes courage to change. Then again, why change when you don’t have to?
But when you don’t change, everything appears to stay the same. And this is the antithesis of life.
Life is change.
Life is always changing.