RIP Milton Babbitt January 31, 2011 3:35 PM Subscribe
Milton Babbitt, the quintessential american academic composer, died Saturday. Whatever you think of his music, he was one of the most significant composers of new music in the second half of the twentieth century. Over his long and influential academic career, Babbitt wrote a ton of very carefully engineered and complex serial music, seeking to achieve rational impact on his listeners even before a visceral connection. He was an advocate for using formal theory as the basis for musical composition.
There are those (myself among them) who would would say that one unintended consequence of his sometimes numbingly intellectual music was to save many young composers from pursuing academic "specialized music" as a career. Yet he certainly wrote beautiful and captivating music, and by all accounts, he had a great sense of humor. He will be remembered.
Now, here's what's fun: open them in 2 different windows, and play simultaneously. Works perfectly, sounds fabulous. posted by flapjax at midnite at 3:52 PM on January 31, 2011 [3 favorites]
Strangely, he was never photographed with John Barry. posted by klangklangston at 5:32 PM on January 31, 2011
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(I've been waiting for someone to post a Babbitt obit thread and this is a fine one.) posted by ob at 6:05 PM on January 31, 2011
I remember avidly listening to him in my college library, dazzled by the sheer complexity yet somehow light and crystalline structures. I'd never heard anything remotely like it in my life.
I was convinced I would eventually be able to pick up on some of the mathematical relationships just by listening. It never happened, but I certainly got a lot out of trying.
Strangely, he was never photographed with John Barry.
Ultra-villain "Sonic", ensconced in his underground lair, to captive James Bond: "My dear mister Bond, at midnight, the Babbitron will be activated, and all the world's music will be atonal. Hahaha! Imagine the chaos, the fear, the horror!"
Bond, fingering the mini-death-laser in his pocket, disguised as a pitch pipe: "Yes, well, Sonic, I wouldn't be so quick to sing the praises of your dry, academic little machine... you know, in this game of musical chairs, you may be left standing, or... dying."
/cue Barry's characteristically bold, brash, 12-tone row, scored for brass, electric guitar and bongos posted by flapjax at midnite at 6:10 PM on January 31, 2011 [2 favorites]
I used time points in my final post-tonal theory assignment, and that's still the big concept I take away from Babbitt's music. posted by sleepinglion at 2:10 PM on February 2, 2011 [1 favorite]
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posted by chavenet at 3:50 PM on January 31, 2011