So here we are now standing at the grave / Trying so hard to best behave
September 25, 2013 10:13 PM Subscribe
One day in February several years ago, William D. Drake – a distant cousin of famous folk musician Nick Drake – released two very different albums at once. There was Yew's Paw, a collection of strange and lovely piano music, such as the bouncy, joyful Pipistrelle, the sometimes-misty, sometimes-urgent At the End of the Harbour Wall. (Not to mention the aptly-named Short & Sweet Like A Donkey's Gallop, which is 17 satisfying seconds long.) Then there was Briny Hooves, a set of rock/folk/pop songs which are all confounding and fantastic. Wolves is an angry elegy that's nonetheless incredibly catchy; equally catchy is Serendipity Doodah. Ugly Fortress is a softer, Beatlesy sort of tune, The Fountains Smoke is a lovely folk duet, and Requiem for a Snail is exactly what it claims to be. Perhaps its two most affecting moments are Sweet Peace, a gently dark number that grows and grows, and Seahorse, which is very reminiscent of Robert Wyatt's (also wonderful) Rock Bottom. Both albums are worth a listen, and both can be streamed freely from Bandcamp—Yew's Paw, Briny Hooves, and Drake's more recent album The Rising of the Lights.
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