A great portrait can have beautiful lighting, a curious location and a pleasing composition, but it’s a sense of vulnerability that really makes a picture exciting for me. Vulnerability and awkwardness are access points for the viewer, and a suggestion of real humanity.posted by hjo3 at 7:42 PM on February 7, 2008
August Sanderposted by ericb at 8:37 PM on February 7, 2008
Arnold Newman
Richard Avedon
Diane Arbus
Disfarmer (Mike Meyers)
Thanks for the response, man. But, you know, many people don't want to stare at human suffering if they don't have to, and not all of them are sheltered little things who must be shown the harsh reality of life. I'm reminded of my mother, who's treated alcoholics and drug addicts for as long as I've been around, and she prefers to not have wrecked bodies and minds shoved in her face for the sake of art and entertainment. Sees enough of that at work, she says. Something similar probably applies to many other people with comparable backgrounds.When you link to a site that has a brutally damaged face right on top of the page, you'd be kind to include a warning.No. Sorry.
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What makes a great portrait?
Unflinching, fearless honesty.
posted by R. Mutt at 5:23 PM on February 7, 2008