"Many people know about the “acid paper crisis” which got a lot of publicity in the late 1980’s and early 1990’s. Many authors and other publishing industry notables banded together, and publishers lobbied for paper mills to produce only acid-free paper. After this, people felt comfortable that books would endure because the paper mills began producing only alkaline paper (which allowed the paper to endure much longer.) But as I mentioned, approximately eight years ago we started to notice a shift in order patterns, as more publishers were moving some titles to groundwood.
As the years progressed, more and more titles began to shift from free-sheet Permanent Paper to groundwood, until now, when well over 50% of the New York Times hardcover bestseller list is now printed on groundwood. Someone recently challenged me on this, saying that the New York Times list isn’t necessarily what literary people would consider the most important works of current literature. This degradation in paper quality isn’t only happening to non-literary works—many award-winning works, including many of the 2009 National Book Award nominees and one of the major category winners, are also not printed on free-sheet Permanent Paper.
This has accelerated with the decline in newspaper print sales—the paper mills which used to manufacture newsprint for papers now have a tremendous amount of open capacity that has to go into something, and they’ve shifted to groundwood publishing papers."
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If only there were some form of electronic storage medium, perhaps involving 1s and 0s...
posted by unSane at 8:33 PM on June 1, 2010 [1 favorite]