You guys know about BBC Radio 4's In Our Time, right? Each week, the broadcaster Melvyn Bragg hosts a 45-minute discussion on some aspect of culture, history, philosophy, religion or science. His guests are always three academics with expert knowledge of the chosen subject, and the tone is serious and detailed but never inaccessible. By respecting his audience's intelligence, Bragg delivers a programme of unrivaled interest, depth and educational value. The topics covered this year alone include The Frankfurt School, The Glencoe Massacre, Silas Marner and Ibn Khaldun. Eclectic, yes, but never less than fascinating. The good news is that the programme has just redesigned its website, making all 440 episodes to date available for your listening pleasure in its eminently browsable archive. In the dumbed-down 21st Century, it's a miracle that a programme like this still exists, so let's all make the most of it while we can. posted by Paul Slade at 9:19 AM PST - 59 comments
"To really write for children, you have to think like a child. And to read a children’s book, you probably have to let go of grown-up reasoning. These thoughts occurred to me as I read two newly-translated books about Tintin and his creator, Georges Remi, better known to the world as Hergé. (The pen name is composed of Remi’s initials backwards, pronounced as in French.) There is much to be learned from these studies and others by “Tintinologists”—about Hergé, about the “world” of Tintin, even about twentieth-century politics. But as I read Pierre Assouline’s well-written biography of Hergé and Jean-Marie Apostolidès’s erudite study of the Tintin books, a version of the question we Jews love to ask kept coming to mind: Are they good for Tintin?" A review of The Metamorphoses of Tintin or Tintin for Adults by Jean-Marie Apostolides and Herge: The Man Who Created Tintin by Pierre Assouline at The New Republic. posted by ocherdraco at 8:45 AM PST - 17 comments
Announcing: The Art of Akira ExhibitIts stunningly fluid and detailed animation often required as many as nine separate cel layers. The 125 minute feature was comprised of over 160,000 cels and almost as many backgrounds, each one completely hand–drawn and hand-painted. Purists recognize Akira as the last completely hand-created animated feature.
Patrick Sauriol's Corona Coming Attractions, the comprehensive insider film news site of the late-'90s (resurrected in December 2008), presents the top unproduced screenplays for 2009 as selected by film professionals (Part 1 | Part 2). "Over 300 film professionals were asked to submit the titles of up to ten of their favorite screenplays. The only condition for the picks were that the projects would not be released in theaters this year." Some sound fascinating, others cringe-inducingly tired. posted by AugieAugustus at 5:32 AM PST - 21 comments