The ideology of musical notation
November 16, 2014 12:51 PM Subscribe
"[P]eople who read staff notation ... were middle-class; and those who used alternative notation systems, such as the Tonic Sol-fa method, which was widely used for choral singing in the nineteenth century ... were predominantly working-class." Sociologist Anna Bull on how classical music, and the way it is taught, reproduces class inequality.
This thread has been archived and is closed to new comments