The problem with making a dark and disturbing version of Alice in Wonderland is that it's pretty dark and disturbing to begin with, which gives it little training wheels that help cultural firebrands ride it into geniusdom once every eighteen months or so. Masterminding a trippy reinterpretation of Lewis Carroll is like making a version of Crazy Traxi, only crazy! At this point, about the edgiest thing you could do with Alice in Wonderland is try to make it a little less fucking insane.
This is why the discovery of a huge new trove of unedited German fairy tales is nothing short of a revelation. These tales, only of few of which were published in the 1850s, were collected in the Upper Palatinate region of Germany by Franz Xaver von Schönwerth, a scholar intent on preserving the rapidly vanishing folk wisdom of his region. What they reveal, in abrupt contrast to the Brothers Grimm, is an equal-opportunity world where the brave and clever children are as likely to be girls as boys, and the vulnerable, exploited youths are not just princesses, but princes.
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