... the company’s efforts to inject partisan spin into its local “news” have become increasingly bold and increasingly obvious. In April 2004, the company forbade all of its ABC stations to air a segment of Nightline in which Ted Koppel read the names of American casualties in Iraq, which Sinclair’s management considered “motivated by a political agenda designed to undermine the efforts of the United States.”You can legitimately argue that Sinclair shouldn't be selectively censoring the programming it carries (you'd have an even better argument against the "slipstreaming" they apparently do with the daily news). But you can't say, with a straight face, that blocking Nightline's attempt to inject partisan spin is injecting partisan spin.
The purpose of this memorial is to separate the issue of the sacrifices of the veterans from the U.S. policy in the war, thereby creating a venue for reconciliation.Context and intention are everything. The Nightline episode aired during an extremely contentious ongoing military action, and in the leadup to an equally contentious presidential campaign.
When Maya Lin’s Vietnam Veterans Memorial was built on the Washington Mall, well-organised veterans who criticised it as the ‘gook monument’ – Lin is Chinese-American – were allowed to open their own kiosks nearby. These became the cult’s temples, the places to buy its sacraments and phylacteries; bumper stickers, for example, saying ‘Jane Fonda: John Kerry with Tits’. Phyllis Schlafly and Tom Wolfe have both described the memorial wall as a ‘monument to Jane Fonda’.The problem with ascribing partisanship to context and intention is that both notions are terribly subjective. It is entirely possible that Ted Koppel wanted to honor the dead in a similar, stark manner as the Vietnam Vets war memorial. Your opinions on Koppel's intent and context aren't very convincing to me.
A close look at the four brothers who own Sinclair—David, Duncan, Frederick, and Robert Smith—reveals a much less conservative cast of characters than one might expect. Far from the Bible-thumping, family-values stereotype that Sinclair’s critics imagine, the Smiths are a study in contrasts—especially the two principal owners, David and Duncan. Even as they lobby for government deregulation and a return to some idealized notion of 1950s family values, Duncan is a passionate environmentalist working to restore the power of the Environmental Protection Agency, while David got his start not in the conservative family-values business but selling bootleg pornography.posted by mischief at 11:26 PM on November 17, 2005
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posted by IronLizard at 9:08 PM on November 17, 2005