Those thumbs have since come to emblematize for some all that is wrong with film criticism. In a 1990 piece in Film Comment, Richard Corliss took Siskel and Ebert to task for contributing to the dumbing-down of criticism. "I simply don't want people to think that what they have to do on TV is what I am supposed to do in print," Corliss wrote, a stunningly highbrow reproach from a critic from Time.
But you can see what aggravated Corliss. Aspiring to be a serious show about movies, "Siskel & Ebert" instead offered shtick--those imperial thumbs, the occasional unscripted spat--and glib pronouncements. Although the show offered crucial exposure to some independent films, the focus was largely on studio movies that received wide releases. Covering about five movies per episode and devoting much of the time to a recitation of the plots, the show offered bite-sized commentary and didn't hide its consumer-oriented approach.
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posted by stinkycheese at 12:06 PM on May 12, 2006 [1 favorite]